If I had to describe Vox in one word, I would choose the word “wobbly.” The concept behind Dalcher’s full-length debut is compelling, but her execution is shaky and, at times, sloppy. I wanted to love Vox because its premise seems so timely and unique, but the intriguing narrative suffered at the hands of writing that felt unskilled and confusing.
Vox, from the Latin “voice”, is the story of scientist-turned-housewife Dr. Jean McClellan. She lives a near-future United States, which has adopted radical Biblical ideas about women and family structure. Women no longer work, cannot own property or vote, must live with a male relative, and can only speak 100 words per day. Dalcher’s society feels extraordinarily timely after recent abortion bans in Alabama and “heartbeat bills” in states such as Georgia. As a young woman, these bills terrify me, and I can only imagine what future restrictions on my freedom may look like. For this reason, I was so excited to follow Jean’s story as she grapples with her new, restrained reality.Continue reading